The private Life of Henri Matisse " If perhaps my history were ever to be drafted truthfully from start to finish, it would amaze everybody. " …...Read
Ricciotto Canudo (1828) pointed out, " Cinema is the seventh art”. Any designers in each type of fine art have its artistic style, even it is a film. Mise-en-scène is a good case in point to distinguish these artists. Each and every time we view a film, we are able to find some period or some shots that individuals can discover the unique style. In film, we phone autheurism. Though every film have its own story, diverse setting and various contents, we all still discover something whatsoever in comedy or tragedy that they are identical. According to the secret of auteur theory and authorship, every single director has their own design. Because they will control anything in mise-en-scène including the established, attentive to décor, performance, and camera positioning and motion, so they may add anything automatically in their film actually they do not know. We can recognize it like appraisal to each artist. Even though there is a big difference in film genre, we may find a lot of similar photographs in mise-en-scène. To show the guideline of auteur theory and authorship, we choose a well-known Hong Kong feminine director---Ann Hui, and find her two fictional films - The Way Were (2008)and Evening and fog(2009). These two motion pictures have a same position ---Tin Shui Wai and same matter about family, but they have different story and plot. We all will evaluate these two videos and find all their similar period even if their particular story and plot have got directly big difference. Film style by Ann Hui
Regarding Ann Hui
To understand Ann Hui's design, we should find out some info on her backdrop first, as the majority of the people's patterns is the portrayal of the background of life. Ann Hui was born in Anshan and moved to Hong Kong when she was five years old. The lady studied in SL Paul's Convert University and graduated from the University or college of Hk in 1972. After she attained master degrees English language and literary works and comparative literary studies, she flight to English and put in two years learning in the Worldwide Film University. Ann Hui returned to Hong Kong in 1975, after that entered TVB as manager and movie director in 1977 and cooperated with ICAC to produce a great anti-corruption series of films. In the late 70s, she transferred to Radio Tv set Hong Kong and made many serials and documentaries on 18 mm like Boy coming from Vietnam that has been her initially film in Vietnam. She started to allocate her key career as film representative from lates 1970s and made her first feature The Secret(1979). After that, your woman had produced many other renowned films including Boat People (1982), Summertime Snow (1994), Visible Top secret (2001), The way in which we are (2008), Night and Frog(2009) and so on. The genre involved in her film was Kong Fu action, family members, documentary regarding social concern, mystery, criminal offenses and so on. As well, she is the only one who earned the best director award four times in Hong Kong film Awards until now. Ann Hui is good for shooting sociable movie, just like this two films, The Way We Are and Night and Fog, that mainly identifies the occupants and fresh migrants moving into Tin Shui Wai and revealing their particular routine lives. Although there couple of real situations occurring in daily life, Ann Hui has to consider how the capture can make the storyplot becoming holding. Also, it contributes to people substituting in to the story no matter the story can be happy re-union or disaster. Her style in explaining people's mother nature and their mind is useful that audiences may be ease getting yourself into; especially the character is woman as the girl had a lot of life knowledge. Therefore the girl can make more attraction in female personality rather than male, but it would not stand for everyone is able to present the story well. Ann Hui needs to rely on applying special mix of mise-en-scene within the shot to provide the landscape well and thus making the social movie to become more attractive and meaningful. As a result, her style is really important to recognize the contribution of sociable movie. Ann Hui's Design
In film text, one among major term is mise-en-scène. It is about how precisely to present and adjust the presence of a real globe in a...